Endangered Species-The”Regional Pro Surfer”

Posted on October 5, 2019 by nealdude85

A Case Study–Santa Cruz, California

By Neal Kearney

*NOTE. THE MEAT OF THIS ARTICLE WAS WRITTEN, YET UNPUBLISHED, IN JUNE 2017 FOR A CERTAIN AMERICAN SURF WHO MAG WHO SHALL GO UNNAMED. THE SURF INDUSTRY SUCKS SOMETIMES! OH WELL…HERE IT IS, I HOPE YOU ENJOY!

It’s hard to make it as pro surfer these days. Even for the world’s best surfers , the cushy, umbrella-sponsorship deals of the past are hard to come by. Last year, you may have noticed that the back half of the World Surf League’s World Tour had rippers like Josh Kerr shredding without a main sponsor. If guys like Kerrzy are in trouble, that means “regional pros” are going extinct.

If top level guys are scraping for support, how does a local legend or talented, up-and- coming surfer (commonly referred to as “Regional Pros”), expect even a piddly crumb from the withering pie that is the surf industry? The pro surfer explosion in Santa Cruz, California, which blossomed in the ’90’s, and fizzled out by the end of the first decade of the twenty fist century. This shift illustrates how difficult it is for up-and-comers to remain relevant and marketable in a hemorrhaging surf industry where a good looking, yet mediocre Instagram surf star is guaranteed more exposure than a tech-inept, shy, introverted, yet phenomenally superb surfer.

The catalyst for the explosion of media attention directed to Santa Cruz can be attributed to many factors, but in the beginning, much of the credit goes to ace photographer and filmmaker Tony Roberts, who pushed the surf media to recognize just how much insane surfing was going on in the late 80’s and early 90’s. Robert’s unique, in-your-face action shots began peppering all of the major US surf mags, including Surfing and Surfer magazine, and helped put the national spotlight Santa Cruz’s stacked talent pool.

It got to the point that Santa Cruz was so saturated with talent that practically every hot surfer had sponsors and contracts; along with free gear, respect and prestige. Many of these surfers went on to become “international pro surfers”: Adam Replogle, Chris Gallagher, Jason “Ratboy” Collins, Shawn “Barney” Barron, Pete Mel, Anthony Ruffo, etc. This crew could travel the world and get paid to huck huge airs and rush giant tubes, fine-tuning their acts with unbridled, point-break power surfing at home.

TR was the man in Santa Cruz during the late ’80’s/early ’90’s, pumping out classic images and even full-length movies, but when he left for Central America in mid 90’s, there was a need for someone to take the control of SC freight train. Ripping skateboarder and surfer Dave Nelson learned a lot from Roberts and could keep the ball rolling, especially Roberts knack for up close fish eye action and skate influenced angles.

“TR was by far my biggest inspiration. I studied what he did daily and we used to shoot and skate and surf every day. He was always experimenting with different lenses and angles. He taught me a lot!” remembers Nelson.

Enter Transworld Surf, established in 1999, and sadly decapitated in 2013 due to the strangulation of print media. Nelson scored countless covers and spreads with his unique angles and inventive use of multiple flashes, film gel, and speed blur effects. He also introduced a new crew of “regional pros” to the masses. These centrally located hot-shots usually stuck relatively close to home during their careers, following Nelson, aka “Nelly”, into a number of local,”studio-esque” surf breaks. Guys like Homer Henard, Matt Rockhold, Bud Freitas, and Austin Smith-Ford were among the local pro’s who worked extensively with Nelson.

Chris Cote, TWS’s editor basically ran the ship, and gave “regional pros” from SC a lot of love, mainly due to Nelson’s wealth of insane photography.

“Regional pros are surfers who absolutely rip their local breaks, AKA, ‘Hometown Heroes’. Locally respected and widely known by ‘traveling pros’ as the guy or girl to either get in contact with when they are rolling through their town, or, watch to out for when competing in their town. Regional pros a lot of times just choose to stay in their hometown a lot of times, not that they don’t have the talent to travel and compete, but for one reason or another, they are content with just being “the guy” in their respective area,” explains Cote.

From 2000-2010, or thereabouts, regional pros in Santa Cruz could make a chunk of chain just cruising with Nelly, scouring the coast for big pits and ramps. They were memorable days for the humble photographer, and he soaked up every minute of it.

“Every day was a mission. An adventure. Some days we went North, but usually we went South. The spots were sharky as Hell. The locals were always watching. I was always ready to go, from dawn to dusk, which some surfers loved, and some hated (laughs)”.

This enabled regional pro’s such as Bud Freitas and Austin Smith-Ford to concentrate on their surfing at home; to the point that no one could touch them- their talent was next level. Cote was more than willing to give love to these under the radar pro’s.

“Young kids like Matt “Ratt” [Schrodetz] and Noi [Kaulukukui} were fucking on fire, absolutely ripping. It was easy to fill magazines with Santa Cruz surfers cause they all surfed so good and Nelly was right there to capture it going down.”

Unfortunately, the era of the regional pro, especially in Santa Cruz, was quietly burned to ashes due to the ’08 financial crisis and struggles of the surf industry. Companies had to take a hard look at what surfers would be best to promote their brand, and now, there are only a handful of regional pros who get financial help, let alone free gear.

Matthew Myers of Santa Cruz, now residing in Costa Mesa, works for Rip Curl. His job includes tending to the needs of high profile team riders while building a solid youth presence. A former regional pro himself, Myers has valuable insight into the woes of the surf economy. A common theme he’s noticed is more money is going to the top, world tour, elite athletes, some of which are gunning for world titles. Companies see the biggest, more recognized athletes as a greater asset as they possess the ability to reach a larger audience, which results in a greater return on investment.

“There’s not a ton of regional pro’s in America getting paid anymore,” Myers admits.

“For example, we have a surfer in Santa Cruz who is getting a pay check; definitely not enough to get paid comfortably but he gets to travel the world and have some incredible experiences on Rip Curl’s dime. He’s stayed extremely active, charismatic, has a lot of fun with other people, and is an amazing surfer to boot. To be relevant you must be really outgoing and marketable, and be attractive to the brand to want to use you in either their marketing including social media and websites.”

The regional pro is now an endangered species across the globe, especially in Santa Cruz. For better or for worse, these extremely talented surfers and photographers have been forced to adapt. They’ve returned from their day jobs; running business, cutting hair, working construction, and everything in between. The ripple effect from companies clamping down on their funds has altered the landscape of professional surfing dramatically. Will this stop surf fans from visiting their favorite surf websites or WSL broadcasts? Not a chance. Life is constantly changing, and although regional pros may be a thing of the past, the talent will continue to shine when the waves come up.

~From Kyuss to Cats~ A Discussion with Palm Desert’s Wailing Word-Wizard, John Garcia

Posted on January 11, 2019 by nealdude85

Have you been super excited about something? In that excitement did you allow self doubt, sloth, and suffering to hijack your experience? After a lengthy break from writing, I got to thinking of interview subjects for this blog. I started with some steam, then, in large part due to the stress of chronic pain, I’d continually find myself having a hard time concentrating and finishing tasks, especially the ones that mean the most to me (strangely). With that being said, I’m embarrassed, yet excited to get this post out. After having the absolutely grand pleasure of interviewing Palm Desert vocalist John Garcia in 2016, this sloth relegated our conversation to the far corners of my Iphone’s data, neglected…a sad shame if you ask me!

Garcia is best known in my circle as the former singer for Kyuss, an early ’90’s “stoner rock” band that stunned the music world with epic albums such as Blues for the Red Sun and Welcome to Sky Valley. Along with Garcia, Kyuss had been composed of other legends like Josh Homme, Nick Oliveri, Scott Reeder, Alfredo Hernandez, and Brant Bjork. Kyuss played a large part in the surf scene in Santa Cruz, cemented when Santa Cruz video God Tony Roberts sprinkled the band’s heavy yet spacey sound throughout some of his classic Santa Cruz-centric flicks.

After listening to and singing his vocals in the shower for nearly twenty-five years, I’m beyond proud to share the conversation we had. Thanks to Mike Pygmie for hookin’ us up! Cheers!

Split Peak Soup-John, I’m such a huge fan of your music, as are so many of my friends up here in Santa Cruz. Have you spent any time up here?

John Garcia-Yeah man, Santa Cruz—what a cool, bitchin’ little town. David Insmore, Unida’s (one of Garcia’s other famous projects) is from Santa Cruz. So yeah, I’m familiar with your beautiful little town. What a great surfing community… I was fortunate to be able to watch a couple competitions up there as a kid. I’ve got some great memories of that place.

David Dinsmore of Santa Cruz- former Unida guitarist

SPS-Thanks John! Yeah, super lucky to call this place home…there’s so much going on! So, starting with Kyuss in about ’97, I have been hearing your voice on all my favorite albums, and here I am chatting with you, which is really fuckin’ surreal. I was wondering if there were any instances in which you were able to meet one of your idols?

The infamous Danzig

JG-I have, there’s two guys. I’m such a fan of singers. I’m just a fan of song. Glenn Danzig reached out to me in that way, as well as Ian Astbury (lead singer of the Cult). To this day, when I go see them, or run into them or whatever every once in a great while, I’m still starstruck. It’s not like we BBQ at the park with the family and shit like that, that’s not the case at all.

Ian Atsbury

Ian Astbury is the reason I started singing, so running into him I’m a stammering fool….”uhhh…duuuhh…duhhh…uhhhh “(laughs). I don’t know what to say so I kinda’ clam up and do some small talk while I’m so fucking nervous. The flip-side of the coin is that, I used their styles of singing songs as guidelines for me. I was a fan and it helped me shape and mold my vocal style.

You know, I’ve always been kinda a realist myself…I’m a father, a husband, I’ve got a normal job and I never asked for any of this. I’m actually lucky to talk to a stranger over the telephone-wire who is a fan of something I helped create many many years ago. So, I myself are in awe even talking with you!

garciagallito_0030

I’m about the whitest Mexican you’ll ever see in your life. I’m a dad to two wonderful children, have got a beautiful wife—everyone is happy and healthy, and I have so much to be thankful for. And one thing to be thankful, again, is to be driving my way to rehearsal talkin’ to a stranger, but a fan, so the pleasure’s all mine man. I don’t go to many shows at all anymore, but when I do, it’s to guys like Ian and The Cult, like the last show I went to. My wife and I went in as spectators and it was great seeing them perform.

SPS-Yeah, for sure. I’ve always loved the howls belted out by guys like Layne Staley, Glenn Danzig, and yours, in particular.

The late, great, Layne Staley of Alice ‘N Chains

Despite the fact that some of my favorite bands were pushed on me from the surf/skate culture, being a youngster on long road trips with my family really influenced my musical tastes. To this day I’m still listening to my parents’ stuff, like the Beatles, Clapton, Door, and even Bonnie Raite! In fact, Rubber Soul has been in my beat-up Honda’s CD player for about six months now (laughs). How about you? Do you have any musicians or groups that left an imprint on you at a young age?

Legendary Raitt always gives ’em somethin’ to talk about

JG– You mention Bonnie Rate, I’ve never heard a journalist, who I’ve spoken to at least, bring up an artist who may not be “cool” in someone else’s eyes. See, I appreciate that.

ewf

Because I appreciate a guy by the name of Maurice White and Phillip Bailey from a band called “Earth, Wind, and Fire”. I appreciate Al Green. I appreciate Rob Skaggs.

Coltrane in fine form

I appreciate Frank Sinatra, YES, John Coltrane- a diverse spread of musicians.

For the record, I have nothing against Monster Magnet!

People think I wake up in the morning, take a bong hit, and listen to the latest Monster Magnet CD; there’s nothing further from the truth. Matter of fact, my wife has said, “Jesus! Will stop listening to all this jazz, it’s driving me nuts!”, The older I get, I find my taste relax. For the past ten years I’ve been getting into stuff older than me- stuff from the 40’s,50’s,60’s.

ratpack

Now, I’m looking more at “Rat Pack” stuff from the 50’s, 60’s. I’m a huge fan of laxing out to that old stuff. It could be Coltrane, could be Sinatra, but that was the only stuff I’ve been listening to for the past ten years. Of course, in my childhood years I was afraid to admit. I love Terence Trent D’Arby, this black dude from New York, whose an R+B guy who had some hits in the ’80’s like Wishing Well. This guy sings amazingly, so fucking amazingly! He blows me away to this day. And I’m a fan!

terrence

Anything that can make me feel, I don’t give a fuck who you are, I will admit, “That, is bad-ass. That was cool”. I appreciate the craft. Being a musician (I’m not going to say ‘as an artist [laughs]) I don’t take that kinda stuff too seriously

“I’m a 9-5, Mom ‘n Pop, Do It Yourself kind of guy—it’s just what I do. Everyone’s page is a little bit different, and I’m definitely not the guy trying to be cool, nor do I want to be cool, I just want to be me, a husband, a father, and that’s it”

john-garcia-nick-oliveri-photo-by-morat-photography

Garcia and Nick Oliveri, former Kyuss Bassist

SPS-I’ve read somewhere that you worked at an animal hospital after Kyuss disbanded. Can you tell me a bit about your relationship to animals, and what makes that connection so strong?

Garcia-I’ve had that connection my whole life. As a kid, one of my first jobs was working at a pet store. Then a “no-kill” shelter. Shit, I probably should have become a veterinarian! I had a counselor up at UC Davis—one of the best vet schools in the country, but I kinda blew that opportunity. Schools just wasn’t for me; I was more hands-on. I like the arts. I love music and working with animals, and sometimes I wish I’d pursued the latter more proactively.

John and his beautiful wife Wendy at Desert Dunes Animal Hospital

Regardless, I have always, whether it be at a “no-kill” shelter or veterinarian clinic, pet-store or grooming facility, loved working with animals. To this day, I help I help run Palm Springs Animal Hospital, where, if I’m not doing X-Rays, I’m drawing blood, or loading rooms, or assisting a surgeon. I kinda get to wear all the hats and am stoked to be involved in that animal care scene.

SPS-What trait do you think you possess that most lends itself towards such a love for helping sick or injured animals; whether it be compassion, sensitivity, or empathy, etc? If so, how has this trait molded other aspects of your life?

Garcia– I’ve just always like animals…I don’t know if that makes me sensitive? I guess it’s just being there to help them in a selfless way, which may sound corny. But it’s true. I’ve always really appreciated the diagnostic side, giving the doctor information to use to help make the right diagnosis. That, for me, is very special and important to me. Some of these animals depend on this information to stay alive.

Look, Neal, I’ve been very lucky to have three things in my life that I love to do. One, being a musician. Two, working with animals. Most importantly however, I am a husband and father, a family-man. I keep my eye on the ball and the “eye on the ball” is the most important thing in my life and that means being there for my son, daughter, and wife no matter what. It’s important to be that dad. To be that husband. That’s my real passion in life; being there for them.

SPS-It seems like, to me, a lot of singers sing to the guitar. When I check out old Youtube footage of you performing with Kyuss and Slo Burn, I see you onstage slithering around like a snake, rocking back and forth, as if you sang to that heaver bass or drum beat. Do I have something there?

Garcia– Oh man, I can’t look at footage of me back then (laughs).

SPS– No way bud! You were in the moment…golden!

Vintage Garcia Mane

Garcia– (more laughs) Thanks Neal, I appreciate it. That’s a good way to put it—you’ll have to excuse me, I’m easily embarrassed. To answer your question, I’m a guitar guy, dude. So guitar-driven, vocally. Of course, the rhythm section is there. There’s no doubt about it, that rhythm section—the bass, kick, and snare—those have all got to be there or else the guitar won’t make any sense. Absolutely, 100% and unequivocally in my opinion.

jg-eu

Later in life, I started using in-ear monitors, and of course, I’d have some bass, kick, and snare in there, but mainly what I hear in my monitors is guitar. There’s a “lower” and a “higher” guitar, and I’d use the higher the most, the one that cut through the most, that’s the one I had in my in-ears. Sometimes, I do guitar and vocals only. Of course, I couldn’t do any of that without the rhythm section. Without that section it’s generally just a big fuckin’ mess. That’s a good question.

SPS-Well I know you gotta split, but I wanted to thank you for your time and the rad conversation!

Garcia- My pleasure Neal. Thank you for the interest! This is my number, call me anytime you wanna chat!

jgar

Follow John Garcia!

http://www.facebook.com/johngarciaofficial

@johngarciasolo

HOMETOWN HUCK!

Posted on May 17, 2018 by nealdude85

Who will win? All will be revealed come June!!!

Hometown Huck

Life At Sea’s Tim Ward Offers $$$ to the biggest boost!!

By Neal Kearney

Surf progression is fueled by many things: organized competition, bitter rivalries, cross-training, and a deep pool of iconic influencers and paradigm shifters. Borderline mythical Earth-shakers, from the Duke to Dane, continually redefine the way we look at riding waves. Add in the continual evolution of surfboard and wetsuit design, advent of life saving safety vests and the utilization of jet-ski assistance, and you’ve got some strong forces propelling advancement.

How else can the limits be stretched? In the name of progression, Santa Cruz-based artist Tim Ward and his “Life At Sea” brand, are offering a $15,000 purse for their best-maneuver-caught-on-video competition called “Hometown Huck”. Waged between local Santa Cruz surfers and their respective filmers, this contest awards a honking hunk of cheddar to the craziest display of gravitational gymnastics.

A full $10k of that purse goes to 1^st Place, and prize money has a partial split to the winning filmers. Bitchin’! The window started in 2017 and will end on May 31st of this year. With less than a month remaining to submit entries, this is a clarion call to all local punters to utilize the remaining days concentrating on corking out and submitting their clips before time runs out!

Monsieur Ward

Life At Sea is a Santa Cruz influenced line of stickers, patches, keychains, and more. Most visible locally, are the Monarch, Octopi, Mermaid, Shark, Poppies and other local flora-and-fauna bumper stickers. They are everywhere! Straight from the ever-inspired and creative Ward, the newest designs include a line of Surf Rat, Anchor, Black Flag, and other nautically themed designs.

Now, along with going global with various designs customized for many locales, the brand has donated nearly $50,000 to ocean cleanup and preservation so far, as well as donating toward our local Monarch Sanctuary at Natural Bridges. A portion of every Life At Sea purchase goes toward these honorable causes–which is fuckin’ dope!

Ward’s iconic TR Productions logo

Ward is noted for his cartoon strips in the dearly departed Transworld Surf, as well as designing globally recognized graphics for brands like O’Neill and the Monterey Marine Research Vessel. He is also a stylish surfer, deep thinker, and great friend. With the Hometown Huck contest, Ward and Life at Sea are offering up $10K to the local Santa Cruz surfer who captures themselves launching the craziest air during the contest window, which started in 2017 and will end on May 31^st, 2018.

This kinda aerial competition isn’t unprecedented. In 2008, Volcom announced they would award a ten-grand purse for a completed kickflip on a surfboard caught on tape, fueled in large part by team rider Ozzy Wright’s obsession and near-makes.

Zoltan Torkos, local Santa Cruz surfer and magician, sent Volcom an entry of him landing a, to be fair, “credit card”, kickflip. Volcom said no dice. Not above the lip, a condition clearly stated in the rules. The internet didn’t agree, and the Youth Against Establishment caved to public pressure ultimately awarding Torkos the cash.

The “Hometown Huck”, is basically the same idea, just on a local level and without restrictions on any particular type of air; much like the 50K payout won by Dusty Payne in 2008’s Kustom Airstrike campaign. Also, this aint’ no corpo publicity stunt, just a creative individual trying to pump out some flair and froth in a dying, core surf scene.

I recently chatted with Ward about his passion project and here’s what he had to say…

Ward Floats the Boat

You’ve been fortunate to have such success with your Life At Sea bumper stickers over the past decade or so. Is this contest a way of bringing back the creativity that Santa Cruz surfers have long been known for?

Great question. I was just thinking the other day, that Santa Cruz has pretty much invented the air, more than once. Kevin Reed in the very beginning, on a single-fin no less. Then Ratboy many years later, in an amphitheater setting at the (Steamer) Lane, when he split the peak with Slater and stole the show with an epic, futuristic Backside 360. Both KR and Ratboy were mag covers. I love the fact that Santa Cruz has such a prominent role in progressive surfing.

Ratty smokes Slates with the “Air Heard Around the World”

When/how did you decide to pursue this competition? Were there any specific inspiration or “Eureka!” moments in the brainstorming process?

Honestly, I feel fortunate to have had some of my art take off the way it has, and I simply came from a wave-sketching grommet-hood. The words, “Hometown Huck”, recently hit me as an event name, combined with a mental image of Mark Twain’s Huckleberry Finn surfing on a fence post . That was it- I wanted to do something new, to give back to SC surf roots, and the Huck Finn idea/image was pretty damn fun.

The Wily Bastard himself, Huckleberry Finn

What kinds of moves are you personally hoping to see? A twist on an old favorite, or one that you’ve never seen or knew existed?

It would be awesome to see a backflip in contention, but I have no preference. Any burly move is a burly move. If you rotate, great, but if you do a huge straight air, great!

Without being too intrusive, how did you come up with the prize money. 10K is a considerable chunk o’ cheese!

The dough comes from the Life At Sea brand sticker/decal sales all over California, Florida, now in Hawaii and beyond. The purse was originally $5k, with a two-month shooting period, last summer (2017). That year was very flat, so I extended the window to an entire year–combining the money from that initial attempt with that of this year, 2018.

Noah “Waggy” Wegrich

Who are some of the local surfers whose entries you are excited to see? Any solid entries so far?

I’m not one of the Huck judges, so I’ll just give my own personal viewpoint and nothing else. The standout to me, with just weeks remaining are: Waggy (Noah Wegrich) with a huge frontside straight air and Shaun Burns with a frontside full rotor. And if we’re being honest, the actual skill and dedication required to stick the kickflips Zoltan (Torkos) does, who knows who will be in the money.

Who makes the call for the winner, and what goes into the final decision?

The judges are Shawn Dollar, Bud Freitas and Kalu Coletta. Each will independently select their own top picks, which will then be merged for the final math.

The “real” Santa Cruz is a distant memory, sadly. Is this an effort to shake up local rivalries and bring back the “core” or “nonconformist” reputation SC is known for?

I’d say it’s simply the result of an appreciation of progressive surfing- which does have a high degree of non-conformity. It’s purely for fun and for stoking some people out though…that’s it! Most of these #hometownhuck clips can be found on my Instagram @timwardart as well as Dave Nelson’s @nellysmagicmoments

Artist Profile: Maia Negre

Posted on April 4, 2018 by nealdude85

Artist Profile-Maia Negre

If you live in Santa Cruz and you’re not an ocean lover, you should get your head checked…immediately. Other than scrooge-like land lubbers, it’s not a stretch to say that our local community has saltwater flowing through its collective veins. This affinity for the sea has produced countless Santa Cruz-centric surf films, brands, musicians, shapers, and artists. One such artist is the wonderful Maia Negre, whose dreamy oceanic artworks are truly are a sight to see.

Maia is a jewel in the Santa Cruz surf art scene, which includes artists like Tim Ward and F.J. Anderson. She brings a unique blend of photorealistic and abstract surfscapes to her art. The flowing lines in her wave paintings evoke a sense of movement, and much like a wave, they seem to carry you with them as you experience her artistry.

The following is an up-close and personal look into the world of an inspirational and sweeter- than- honey artist.

Let’s start from scratch. Who are you and what do you do?

I’m an artist, and I paint. For most of my career I’ve worked on canvas or on paper. I’ve recently started painting on wood, which I’m really loving at the moment. I’ve also painted surfboards, done a large-scale glass mosaic, as well as a public mural project in Capitola. I’ll hopefully be doing more mural projects in the very near future.

Very nice. How did you decide to become a professional artist?

I do it because I love doing it. Always felt like it was absolutely what I was meant to be doing.

How do you work?

Mostly I paint indoors in my studio, where the lighting and environment is consistent, but the source of my inspiration comes from the outdoors – especially from the ocean. I also usually work listening to music and drinking lots of coffee.

Sounds like a good set-up. So, can you tell me a bit about your background and introduction to art?

My earliest training in art began at 5 or 6 years old, when I started playing piano and reading, writing, and composing music. Being born into a culturally diverse family (my mother is from Hong Kong, and my father is from France), some of my earliest memories were communicating non-verbally to my non-English-speaking grandparents and extended overseas family. Art and music bridged any cultural language barriers, so I’d play them music, sing, draw them pictures – mostly all expressions of love.

The reason my parents named me Maia, was because it was a name both the Chinese side and French side could pronounce.

In my late teens, I started surfing and taking college art classes. I later got my degree in Fine Art from San Jose State University and with a minor in business. I’ve been a full- time artist, pretty much ever since then.

In your eyes, what’s integral to the work of an artist?

Inspiration, time, and space to create.

What about an artist’s role in society?

I think the artist’s role is to inspire and innovate. We are all artists on some level, and we can all remind each other how important it is to be creative and unique – in whatever field we might be in.

How has your practice change over time and what art do you most identify with?

I think my practice has just gotten more refined and consistent over time, evolving with experiences and influences in my life.

I love art that evokes a sense of wonder. Art that is beautiful and inspiring – I think the world needs a lot more of that.

What is an artistic outlook on life?

Having courage, trusting the process, following your heart. Having the tenacity to keep doing what you’re doing and being true to yourself.

What memorable responses have you had to your work?

The sense of serenity, joy and appreciation people have when connecting to my work, gives me a feeling I don’t even have the words to express. It’s a beautiful cycle and inspires me to keep creating.

Is the artistic life lonely? What do you do to counteract it?

Not at all! My life, as an artist, has connected me with more people than I would have ever imagined, and on very beautiful and meaningful level. The time I get to create, when it’s just me, my brush and the canvas, is always a time I look forward to – and every part of the process.

Note- Maia’s partnered up with Merge4 Socks, you now you can actually slide your feet into the tube in the comfort of your home, (and wear them anywhere! 😉 Merge4Socks are available at Santa Cruz Boardroom, SC Apparel, O’neill Surf Shops, Buell, Pacific Wave and more.)

Come meet Maia at her booth at the Capitola Art and Wine Festival, September 8^th and 9^thin front of Zelda’s on the Esplanade.

And follow her on Instagram @maianegre

Know Your Commentator…Strider Wasilewski

Posted on April 5, 2017 by nealdude85

In an ongoing Split Peak Soup feature, which I’ll now dub, “Know Your Commentator”, I’ve been fortunate enough to pick the brains of the World Surf League commentating squad. I’ve spoken with the dapper and daring Peter Mel, the stoked Brazilian Andre Giorenelli, and the ageless Kaipo Guerrero.

Now, the spray has settled since Owen Wright’s win at Snapper, a spectacular return to competition after a head injury that had him sidelined for fourteen months. Next up is finals day at stop number two, The Drug Aware Pro (I know, it doesn’t make sense), located in Margarets River. So far, the venues have been solid yet tricky, the surfing tame and repetitive, overall. I’m a surf fan goddamnit so I’m gonna be watchin’ anyways!

Of all the commentators, a man named Strider Wasilewski gets the best view in the house. Usually during important heats the camera will pan to the “Wazz” as they call him, either stradling a surfboard or ski raft, mic in hand, calling the shots from the water. Strider spends a bit of time on land as well, and his seemingly uncontrollable, ageless froth is fully evident during exciting moments.

Who is Strider you ask? Well, the California kid cut his teeth rushing giant Pipeline, and was able to travel the world as a Quiksilver athlete, with some of his most memorable moments inside mutated monsters at Teahopoo in Tahiti. I was fortunate to have tolerant parents who let me watch …Lost’s What’s Really Goin On/Wrong movies religiously at a ten year old. Strider had some mental clips at Pipee and a mean holwler monkey impersonation that awed me then and to this day. I tracked the Wazz down before the comp to ask him about his job, and his surfing.

Strider, mic in hand, calling the shots in Fiji

You grew up in Los Angeles. Can you remember your first experience surfing? What was the LA surf scene like back then?

My first surf was out in front of our apartment in Santa Monica. It was in the late 70’s. My brother and I would wait for people to loose their boards, snake ’em and ride them until they figured out we were riding them! (Laughs).

The surf scene was super localized, you surfed where you lived, that was that.

Baby Wazz

You rose to legend status with your efforts at Pipe. How does a kid from LA show up and just rush the joint. Can you tell me about your first, favorite, and worst tube/hardcore beatings out there?

I think you dream big and big things will happen. It’s a little easier to avoid a beatdown because of phones and everything getting out in social media– localism has slowed down a lot. When I first got to the North Shore it wasn’t just in the water, it was everywhere! I couldn’t even go to Food Land without getting verbally abused! Man if the kids visiting Hawaii now only knew what it was like…

Pipe, a mutant of a wave that put Strider on the map

Tell me about your relationship with Pipeline

I surf Pipe as much as possible, it’s a place that calls to you. It always has, I think my love of the tube is why I was first drawn to Pipe.

Strider standing tall at Pipe

What was your first gig behind the mic? Did you think you’d follow that path, or was it a one off thing? How did you get on the WSL’s radar?

I worked at a contest in Brazil about 5 years ago. I went because I always wanted to try it out. I surfed for Quiksilver and had asked them to do one of their events for years but the producer would never let me even give it a try! Then when the WSL took over I asked again, and they gave me a chance. We have a great relationship that’s mutually beneficial.

The Wazz and longtime friend/coworker, Pete Mel

Did broadcasting come natural to you, or did you have to work on your delivery over the years?

Doing this new job was pretty natural but there is a learning curve. I’m still learning and all the people I work with help me every event. I’m pretty much the rookie of the group, but I’m getting better…

It seems like the entire surf industry comes to play during events. How hectic do the line ups get with all the pros, commentators, locals, visitors, nutritionist/hypnotist/coaches/nail clippers all trying to satiate their own surf appetite?How do you guys avoid such tensions?

The tour surfers are all really cool; they mostly respect each other in and out of the water. Sometimes the lineups get a little crowded and it gets a little edgy. Our crew usually finds other places to surf, or find other times to surf when everyone has finished warming up. Its definitely something we think about and try and give the tour surfers the respect and space they deserve.

RUSHING maxed out Chopes

Describe what it’s like being in the water commentating with the current caliber of surfing? I notice you get pretty frothed. Is the energy of the heat contagious?

I get super frothed while I’m in the water; I love surfing and the level of surfing these guys are doing is crazy high! I get pumped from all the energy around an event: the waves, the heat, the athletes… I’m so close to them I hear and see a lot, some stuff good, some bad(laughs). I’ve had to learn to calm my self down a little and better compose my information. I still get over frothed but I’m getting better at my delivery.

Archives: Last Time w/Peter Mel

Posted on December 29, 2016 by nealdude85

LAST TIME W/PETE MEL

By Neal Kearney

This article was previously printed by Transworld Surf in 2008

Went left at Mav’s– Last session I had, I went left. It’s so crowded out there these days that now the lefts are free game. Because of the packed lineups, sometimes you’re forced to deal with what your given. The risk level at Mavs is highest it’s ever been.

Shaped a board– My older son Anthony hit me up for one last year and we shaped one together. Shaping boards is a lot of hard work and I have a lot of respect for shapers. I still have a great interest in it, but my schedules been so hectic it’s hard to find time to do it but Anthony might be getting another one later this month.

The Condor getting roasted by Lil’ John

Got burned– John John, my youngest son, burns me all the time. Last time we surfed together he saw me on a wave and completely toasted me. I don’t mind as long as he’s the only one who burns me.

Signed an autograph– In Puerto Rico. I just got back from good will tour for Quiksilver over there. Signed as many autographs as I ever have in a weeks trip. The Puerto Rican surf culture is super stoked, and the waves are fun too!

Got schooled by a grom– Last summer at the Quiksilver Pro at Puerto Escondido. Ashton Madeley, a grom from South Side has had my number the past few comps I‘ve surfed against him in. But I finally got him back at the Volcom Contest last week.

Disagreed w/ judges- I agree to disagree. Its part of my job being a to analyze what’s going on while I’m webcasting, but ultimately I’m not a judge, all I can do is give my two cents.

Pete, getting beat

Two wave hold down– It’s happened to me twice. My last one was Jan 2007, at Mavericks. I had a wipeout which I didn’t even realize I was held down for two waves until Garret McNamara came to pick me up on the ski and yelled at me to let me know. That’s when I kinda freaked out.

This wave eats boards for breakfast! Photo-Nelly

Broke a board– Last week at the Harbor. Due to all the crazy storms, we’ve been fortunate lately to have some dredging sandbars lately. But unfortunately, when the waves are dredging, your gonna pay some dues and break some boards.

Last book you read– Called “Blue Water Gold Rush” by Tom Kendrick. It’s a story about the urchin fishing trade in California. It’s an incredible story I highly recommend it. Couldn’t put it down. My old buddy Chris Brown is an urchin diver so I read it to get an idea of what it‘s like.

Chris Brown Wrap Around

Sold a bar of wax– At Freeline Design last Tuesday I sold a bar of Sex wax. Happens every time I work at the shop.

Won a contest– Last week at the Volcom contest at 26^{th ave} , the beach break right by my house. It’s been a long time since I’ve won a comp and it feels pretty damn good.

Pete’s right…

Pulled in at Waimea shorepound– During the Quiksilver Eddie Aikau event the year Bruce won. Didn’t get a chance to this year. In order to win the contest you almost have to. I don’t think people really realize how gnarly it is. Its one of the most dangerous shorepounds in the world.

Chased out of the water by a shark– It’s never happened . Knock on wood. Closest call when I was surfing an unnamed slab up north and two seals buzzed me with fear in their eyes. Thought I was a goner, but no shark. So never really gotten chased out, but definitely had the shit scared out of me.

Pete’s proud Papa

Surfed with pops– Just last month, dad and I surfed pleasure Point. It’s so cool to surf with your dad, he’s in his 60’s. Hope to keep doing it for years to come.

Got a stand up tube– Santa Cruz Harbor just yesterday. It’s illegal to surf there, but when its on it worth the risk. Harbor patrol has been on it lately, issuing tickets during the last swell. Tazy and Columbo got tickets (laughs).

Stressed on the economic situation? This summer I almost sold my house, scared that I might lose it. I realized I needed to do everything I could to keep it. Got a vacation rental in the back, anyone need a room in Santa Cruz? Hit it up on vacationrentals.com!

Pete, whipped into a thickie

Had a tow surf– I tried it again on a swell last month. I’ve come to realize that tow surfing is weak. Paddling is where it’s out. Watching the boys push it has gotten me inspired. This year some of the boys, like Ramon Navarro, Greg Long, Shane Dorian, and Mark Healy have paddled into the of the biggest waves this year.

Last time you where grateful– Just recently realized how grateful I was for my longtime sponsor Quiksilver, who’ve given me so much support over the years. Also my other sponsors, Sanuk, and JC for all the boards. I live a blessed life, and I’m grateful for their support.

Pete and the beautiful Tara Mel

Last romantic Moment– Last night. Can’t go into details but lets just say the romance has lasted all these past 16 years. Sweet surprises and candlelight dinners help keep the romance alive.

Last Magazine you read– Transworld! (laughs) I also read a great article in Mens Journal about how to quiet your mind. Some of the tips were incredible like -have a purpose, meditate, and cultivate good relationships- all in order to keep the stress down. Stress can kill you, and I’ve found the tips useful.

Last time you pulled back on a wave– During the Eddie. In my first heat a set came at the very beginning of the heat, started to look over the ledge and pulled back. Wish I could have that moment back, kicking myself cause it was one of the biggest waves that came through that heat.

A true surf fan, by a true surf fan

Last autograph you got– I got one from Grant Twiggy Baker after the he won the Pico Alto event in Peru. I like to collect winners contest jerseys. I also got a signed Nat Young’s O’Neill Coldwater Classic victory singet last year.

The beautiful and daring Savannah Shaughnessy

Last time someone made an impression on you- This winter at a session at Mavericks, Savannah Shaughnessy, a 20 year old young lady from Santa Cruz, rushed a big one on the bowl at Mavericks. It’s rad to see the women getting out there and charging.

Last time you threw up– Can’t really remember. I stopped drinking three years ago, and now that I’m not polluting my body, I haven’t really been getting sick anymore. Since I’ve been taking care of my body I can feel the difference, it‘s great.