~From Kyuss to Cats~ A Discussion with Palm Desert’s Wailing Word-Wizard, John Garcia

desertroad

Have you been super excited about something? In that excitement did you allow self doubt, sloth, and suffering to hijack your experience? After a lengthy break from writing, I got to thinking of interview subjects for this blog. I started with some steam, then, in large part due to the stress of chronic pain, I’d continually find myself having a hard time concentrating and finishing tasks, especially the ones that mean the most to me (strangely). With that being said, I’m embarrassed, yet excited to get this post out. After having the absolutely grand pleasure of interviewing Palm Desert vocalist John Garcia in 2016, this sloth relegated our conversation to the far corners of my Iphone’s data, neglected…a sad shame if you ask me!

Garcia is best known in my circle as the former singer for Kyuss, an early ’90’s “stoner rock” band that stunned the music world with epic albums such as Blues for the Red Sun and Welcome to Sky Valley. Along with Garcia, Kyuss had been composed of other legends like Josh Homme, Nick Oliveri, Scott Reeder, Alfredo Hernandez, and Brant Bjork. Kyuss played a large part in the surf scene in Santa Cruz, cemented when Santa Cruz video God Tony Roberts sprinkled the band’s heavy yet spacey sound throughout some of his classic Santa Cruz-centric flicks.

After listening to and singing his vocals in the shower for nearly twenty-five years, I’m beyond proud to share the conversation we had. Thanks to Mike Pygmie for hookin’ us up! Cheers!

Split Peak Soup-John, I’m such a huge fan of your music, as are so many of my friends up here in Santa Cruz. Have you spent any time up here?

John Garcia-Yeah man, Santa Cruz—what a cool, bitchin’ little town. David Insmore, Unida’s (one of Garcia’s other famous projects) is from Santa Cruz. So yeah, I’m familiar with your beautiful little town. What a great surfing community… I was fortunate to be able to watch a couple competitions up there as a kid. I’ve got some great memories of that place.

david dinsmore

David Dinsmore of Santa Cruz- former Unida guitarist

SPS-Thanks John! Yeah, super lucky to call this place home…there’s so much going on! So, starting with Kyuss in about ’97, I have been hearing your voice on all my favorite albums, and here I am chatting with you, which is really fuckin’ surreal. I was wondering if there were any instances in which you were able to meet one of your idols?

danzig

The infamous Danzig

JG-I have, there’s two guys. I’m such a fan of singers. I’m just a fan of song. Glenn Danzig reached out to me in that way, as well as Ian Astbury (lead singer of the Cult). To this day, when I go see them, or run into them or whatever every once in a great while, I’m still starstruck. It’s not like we BBQ at the park with the family and shit like that, that’s not the case at all.

astbury

Ian Atsbury

Ian Astbury is the reason I started singing, so running into him I’m a stammering fool….”uhhh…duuuhh…duhhh…uhhhh “(laughs). I don’t know what to say so I kinda’ clam up and do some small talk while I’m so fucking nervous. The flip-side of the coin is that, I used their styles of singing songs as guidelines for me. I was a fan and it helped me shape and mold my vocal style.

You know,  I’ve always been kinda a realist myself…I’m a father, a husband, I’ve got a normal job and I never asked for any of this. I’m actually lucky to talk to a stranger over the telephone-wire who is a fan of something I helped create many many years ago. So, I myself are in awe even talking with you!

garciagallito_0030

I’m about the whitest Mexican you’ll ever see in your life. I’m a dad to two wonderful children, have got a beautiful wife—everyone is happy and healthy, and I have so much to be thankful for. And one thing to be thankful, again, is to be driving my way to rehearsal talkin’ to a stranger, but a fan, so the pleasure’s all mine man. I don’t go to many shows at all anymore, but when I do, it’s to guys like Ian and The Cult, like the last show I went to. My wife and I went in as spectators and it was great seeing them perform.

SPS-Yeah, for sure. I’ve always loved the howls belted out by guys like Layne Staley, Glenn Danzig, and yours, in particular.

layne

The late, great, Layne Staley of Alice ‘N Chains

Despite the fact that some of my favorite bands were pushed on me from the surf/skate culture, being a youngster on long road trips with my family really influenced my musical tastes. To this day I’m still listening to my parents’ stuff, like the Beatles, Clapton, Door, and even Bonnie Raite! In fact, Rubber Soul has been in my beat-up Honda’s CD player for about six months now (laughs). How about you? Do you have any musicians or groups that left an imprint on you at a young age?

brait

Legendary Raitt always gives ’em somethin’ to talk about

JG– You mention Bonnie Rate, I’ve never heard a journalist, who I’ve spoken to at least, bring up an artist who may not be “cool” in someone else’s eyes. See, I appreciate that.

ewf

Because I appreciate a guy by the name of Maurice White and Phillip Bailey from a band called “Earth, Wind, and Fire”. I appreciate Al Green. I appreciate Rob Skaggs.

coltrain

Coltrane in fine form

I appreciate Frank Sinatra, YES, John Coltrane- a diverse spread of musicians.

magnet.jpg

For the record, I have nothing against Monster Magnet!

People think I wake up in the morning, take a bong hit, and listen to the latest Monster Magnet CD; there’s nothing further from the truth. Matter of fact, my wife has said, “Jesus! Will stop listening to all this jazz, it’s driving me nuts!”, The older I get, I find my taste relax. For the past ten years I’ve been getting into stuff older than me- stuff from the 40’s,50’s,60’s.

ratpack

Now, I’m looking more at “Rat Pack” stuff from the 50’s, 60’s. I’m a huge fan of laxing out to that old stuff. It could be Coltrane, could be Sinatra, but that was the only stuff I’ve been listening to for the past ten years. Of course, in my childhood years I was afraid to admit. I love Terence Trent D’Arby, this black dude from New York, whose an R+B guy who had some hits in the ’80’s like Wishing Well. This guy sings amazingly, so fucking amazingly! He blows me away to this day. And I’m a fan!

terrence

Anything that can make me feel, I don’t give a fuck who you are, I will admit, “That, is bad-ass. That was cool”. I appreciate the craft. Being a musician (I’m not going to say ‘as an artist [laughs]) I don’t take that kinda stuff too seriously

jg

“I’m a 9-5, Mom ‘n Pop, Do It Yourself kind of guy—it’s just what I do. Everyone’s page is a little bit different, and I’m definitely not the guy trying to be cool, nor do I want to be cool, I just want to be me, a husband, a father, and that’s it”

john-garcia-nick-oliveri-photo-by-morat-photography

Garcia and Nick Oliveri, former Kyuss Bassist

SPS-I’ve read somewhere that you worked at an animal hospital after Kyuss disbanded. Can you tell me a bit about your relationship to animals, and what makes that connection so strong?

Garcia-I’ve had that connection my whole life. As a kid, one of my first jobs was working at a pet store. Then a “no-kill” shelter. Shit, I probably should have become a veterinarian! I had a counselor up at UC Davis—one of the best vet schools in the country, but I kinda blew that opportunity. Schools just wasn’t for me; I was more hands-on. I like the arts. I love music and working with animals, and sometimes I wish I’d pursued the latter more proactively.

wendy_and_john[1]

John and his beautiful wife Wendy at Desert Dunes Animal Hospital

Regardless, I have always, whether it be at a “no-kill” shelter or veterinarian clinic, pet-store or grooming facility, loved working with animals. To this day, I help I help run Palm Springs Animal Hospital, where, if I’m not doing X-Rays, I’m drawing blood, or loading rooms, or assisting a surgeon. I kinda get to wear all the hats and am stoked to be involved in that animal care scene.

SPS-What trait do you think you possess that most lends itself towards such a love for helping sick or injured animals; whether it be compassion, sensitivity, or empathy, etc?  If so, how has this trait molded other aspects of your life?

Garcia– I’ve just always like animals…I don’t know if that makes me sensitive? I guess it’s just being there to help them in a selfless way, which may sound corny. But it’s true. I’ve always really appreciated the diagnostic side, giving the doctor information to use to help make the right diagnosis. That, for me, is very special and important to me. Some of these animals depend on this information to stay alive.

Look, Neal, I’ve been very lucky to have three things in my life that I love to do. One, being a musician. Two, working with animals. Most importantly however, I am a husband and father, a family-man. I keep my eye on the ball and the “eye on the ball” is the most important thing in my life and that means being there for my son, daughter, and wife no matter what. It’s important to be that dad. To be that husband. That’s my real passion in life; being there for them.

SPS-It seems like, to me, a lot of singers sing to the guitar. When I check out old Youtube footage of you performing with Kyuss and Slo Burn, I see you onstage slithering around like a snake, rocking back and forth, as if you sang to that heaver bass or drum beat. Do I have something there?

Garcia– Oh man, I can’t look at footage of me back then (laughs).

SPS– No way bud! You were in the moment…golden!

garciahowl

Vintage Garcia Mane

Garcia– (more laughs) Thanks Neal, I appreciate it. That’s a good way to put it—you’ll have to excuse me, I’m easily embarrassed. To answer your question, I’m a guitar guy, dude. So guitar-driven, vocally. Of course, the rhythm section is there. There’s no doubt about it, that rhythm section—the bass, kick, and snare—those have all got to be there or else the guitar won’t make any sense. Absolutely, 100% and unequivocally in my opinion.

jg-eu

Later in life, I started using in-ear monitors, and of course, I’d have some bass, kick, and snare in there, but mainly what I hear in my monitors is guitar. There’s a “lower” and a “higher” guitar, and I’d use the higher the most, the one that cut through the most, that’s the one I had in my in-ears. Sometimes, I do guitar and vocals only. Of course, I couldn’t do any of that without the rhythm section. Without that section it’s generally just a big fuckin’ mess. That’s a good question.

SPS-Well I know you gotta split, but I wanted to thank you for your time and the rad conversation!

Garcia- My pleasure Neal. Thank you for the interest! This is my number, call me anytime you wanna chat!

 

jgar

Follow John Garcia!

http://www.facebook.com/johngarciaofficial

@johngarciasolo

 

 

HOMETOWN HUCK!

huck money post i1

Who will win? All will be revealed come June!!!

Hometown Huck

Life At Sea’s Tim Ward Offers $$$ to the biggest boost!!

By Neal Kearney

Surf progression is fueled by many things: organized competition, bitter rivalries,  cross-training, and a deep pool of iconic influencers and paradigm shifters. Borderline mythical Earth-shakers, from the Duke to Dane, continually redefine the way we look at riding waves. Add in the continual evolution of surfboard and wetsuit design, advent of life saving safety vests and the utilization of jet-ski assistance, and you’ve got some strong forces propelling advancement.

How else can the limits be stretched? In the name of progression, Santa Cruz-based artist Tim Ward and his “Life At Sea” brand, are offering a $15,000 purse for their best-maneuver-caught-on-video competition called “Hometown Huck”. Waged between local Santa Cruz surfers and their respective filmers, this contest awards a honking hunk of cheddar to the craziest display of gravitational gymnastics.

A full $10k of that purse goes to 1st Place, and prize money has a partial split to the winning filmers. Bitchin’! The window started in 2017 and will end on May 31st of this year. With less than a month remaining to submit entries, this is a clarion call to all local punters to utilize the remaining days concentrating on corking out and submitting their clips before time runs out!

couch 6

Monsieur Ward

Life At Sea is a Santa Cruz influenced line of stickers, patches, keychains, and more.  Most visible locally, are the Monarch, Octopi, Mermaid, Shark, Poppies and other local flora-and-fauna bumper stickers. They are everywhere! Straight from the ever-inspired and creative Ward, the newest designs include a line of Surf Rat, Anchor, Black Flag, and other nautically themed designs.

Now, along with going global with various designs customized for many locales, the brand has donated nearly $50,000 to ocean cleanup and preservation so far, as well as donating toward our local Monarch Sanctuary at Natural Bridges. A portion of every Life At Sea purchase goes toward these honorable causes–which is fuckin’ dope!

TR

Ward’s iconic TR Productions logo

Ward is noted for his cartoon strips in the dearly departed Transworld Surf, as well as designing globally recognized graphics for brands like O’Neill and the Monterey Marine Research Vessel. He is also a stylish surfer, deep thinker, and great friend. With the Hometown Huck contest, Ward and Life at Sea are offering up $10K to the local Santa Cruz surfer who captures themselves launching the craziest air during the contest window, which started in 2017 and will end on May 31st, 2018.

This kinda aerial competition isn’t unprecedented. In 2008, Volcom announced they would award a ten-grand purse for a completed kickflip on a surfboard caught on tape, fueled in large part by team rider Ozzy Wright’s obsession and near-makes.

Zoltan Torkos, local Santa Cruz surfer and magician, sent Volcom an entry of him landing a, to be fair, “credit card”, kickflip. Volcom said no dice. Not above the lip, a condition clearly stated in the rules. The internet didn’t agree, and the Youth Against Establishment caved to public pressure ultimately awarding Torkos the cash.

The “Hometown Huck”, is basically the same idea, just on a local level and without restrictions on any particular type of air; much like the 50K payout won by Dusty Payne in 2008’s Kustom Airstrike campaign. Also, this aint’ no corpo publicity stunt, just a creative individual trying to pump out some flair and froth in a dying, core surf scene.

I recently chatted with Ward about his passion project and here’s what he had to say…

tw_floater_post

Ward Floats the Boat

You’ve been fortunate to have such success with your Life At Sea bumper stickers over the past decade or so. Is this contest a way of bringing back the creativity that Santa Cruz surfers have long been known for?

Great question. I was just thinking the other day, that Santa Cruz has pretty much invented the air, more than once. Kevin Reed in the very beginning, on a single-fin no less. Then Ratboy many years later, in an amphitheater setting at the (Steamer) Lane, when he split the peak with Slater and stole the show with an epic, futuristic Backside 360. Both KR and Ratboy were mag covers. I love the fact that Santa Cruz has such a prominent role in progressive surfing.

Ratty

Ratty smokes Slates with the “Air Heard Around the World”

When/how did you decide to pursue this competition? Were there any specific inspiration or “Eureka!” moments in the brainstorming process?

Honestly, I feel fortunate to have had some of my art take off the way it has, and I simply came from a wave-sketching grommet-hood. The words, “Hometown Huck”, recently hit me as an event name, combined with a mental image of  Mark Twain’s Huckleberry Finn surfing on a fence post . That was it- I wanted to do something new, to give back to SC surf roots, and the Huck Finn idea/image was pretty damn fun.

huckfinn

The Wily Bastard himself, Huckleberry Finn

What kinds of moves are you personally hoping to see? A twist on an old favorite, or one that you’ve never seen or knew existed?

It would be awesome to see a backflip in contention, but I have no preference. Any burly move is a burly move. If you rotate, great, but if you do a huge straight air, great!

Mitchells Cove square 3

Without being too intrusive, how did you come up with the prize money. 10K is a considerable chunk o’ cheese!

The dough comes from the Life At Sea brand sticker/decal sales all over California, Florida, now in Hawaii and beyond. The purse was originally $5k, with a two-month shooting period, last summer (2017). That year was very flat, so I extended the window to an entire year–combining the money from that initial attempt with that of this year, 2018.

punt

Noah “Waggy” Wegrich

 

Who are some of the local surfers whose entries you are excited to see? Any solid entries so far?

I’m not one of the Huck judges, so I’ll just give my own personal viewpoint and nothing else. The standout to me, with just weeks remaining are: Waggy (Noah Wegrich) with a huge frontside straight air and Shaun Burns with a frontside full rotor. And if we’re being honest, the actual skill and dedication required to stick the kickflips Zoltan (Torkos) does, who knows who will be in the money.

Who makes the call for the winner, and what goes into the final decision?

The judges are Shawn Dollar, Bud Freitas and Kalu Coletta. Each will independently select their own top picks, which will then be merged for the final math.

there_goes_for_illustr

The “real” Santa Cruz is a distant memory, sadly. Is this an effort to shake up local rivalries and bring back the “core” or “nonconformist” reputation SC is known for?

I’d say it’s simply the result of an appreciation of progressive surfing- which does have a high degree of non-conformity. It’s purely for fun and for stoking some people out though…that’s it! Most of these #hometownhuck clips can be found on my Instagram @timwardart as well as Dave Nelson’s @nellysmagicmoments

real_line_tees_1 retail

Artist Profile: Maia Negre

MaiaNegreMoreOcean

Artist Profile-Maia Negre

If you live in Santa Cruz and you’re not an ocean lover, you should get your head checked…immediately. Other than scrooge-like land lubbers, it’s not a stretch to say that our local community has saltwater flowing through its collective veins. This affinity for the sea has produced countless Santa Cruz-centric surf films, brands, musicians, shapers, and artists. One such artist is the wonderful Maia Negre, whose dreamy oceanic artworks are truly are a sight to see.

Maia is a jewel in the Santa Cruz surf art scene, which includes artists like Tim Ward and F.J. Anderson. She brings a unique blend of photorealistic and abstract surfscapes to her art. The flowing lines in her wave paintings evoke a sense of movement, and much like a wave, they seem to carry you with them as you experience her artistry.

The following is an up-close and personal look into the world of an inspirational and sweeter- than- honey artist.

MosaicGlass_2018_MaiaNegre

Let’s start from scratch. Who are you and what do you do?

I’m an artist, and I paint. For most of my career I’ve worked on canvas or on paper. I’ve recently started painting on wood, which I’m really loving at the moment. I’ve also painted surfboards, done a large-scale glass mosaic, as well as a public mural project in Capitola.  I’ll hopefully be doing more mural projects in the very near future.

Very nice. How did you decide to become a professional artist?

I do it because I love doing it. Always felt like it was absolutely what I was meant to be doing.

Succulent_MaiaNegre

How do you work?

Mostly I paint indoors in my studio, where the lighting and environment is consistent, but the source of my inspiration comes from the outdoors – especially from the ocean.  I also usually work listening to music and drinking lots of coffee.

MaiaNegre_studio_shot (1)

Sounds like a good set-up. So, can you tell me a bit about your background and introduction to art?

My earliest training in art began at 5 or 6 years old, when I started playing piano and reading, writing, and composing music. Being born into a culturally diverse family (my mother is from Hong Kong, and my father is from France), some of my earliest memories were communicating non-verbally to my non-English-speaking grandparents and extended overseas family. Art and music bridged any cultural language barriers, so I’d play them music, sing, draw them pictures – mostly all expressions of love.

The reason my parents named me Maia, was because it was a name both the Chinese side and French side could pronounce.

In my late teens, I started surfing and taking college art classes. I later got my degree in Fine Art from San Jose State University and with a minor in business. I’ve been a full- time artist, pretty much ever since then.

capitola_work_in_progress_2

 

 In your eyes, what’s integral to the work of an artist?

Inspiration, time, and space to create.

Mermaid_10_MaiaNegre_new

What about an artist’s role in society?

I think the artist’s role is to inspire and innovate. We are all artists on some level, and we can all remind each other how important it is to be creative and unique – in whatever field we might be in.

CedarWood

How has your practice change over time and what art do you most identify with?

I think my practice has just gotten more refined and consistent over time, evolving with experiences and influences in my life.

I love art that evokes a sense of wonder. Art that is beautiful and inspiring – I think the world needs a lot more of that.

What is an artistic outlook on life?

Having courage, trusting the process, following your heart. Having the tenacity to keep doing what you’re doing and being true to yourself.

Maia_Bio_Phoot

What memorable responses have you had to your work?

The sense of serenity, joy and appreciation people have when connecting to my work, gives me a feeling I don’t even have the words to express.  It’s a beautiful cycle and inspires me to keep creating.

Is the artistic life lonely? What do you do to counteract it?

Not at all! My life, as an artist, has connected me with more people than I would have ever imagined, and on very beautiful and meaningful level. The time I get to create, when it’s just me, my brush and the canvas, is always a time I look forward to – and every part of the process.

Merge4Holiday2017_MaiaNegre

Note- Maia’s partnered up with Merge4 Socks, you now you can actually slide your feet into the tube in the comfort of your home, (and wear them anywhere! 😉 Merge4Socks are available at Santa Cruz Boardroom, SC Apparel, O’neill Surf Shops, Buell, Pacific Wave and more.)

Come meet Maia at her booth at the Capitola Art and Wine Festival, September 8th and 9th in front of Zelda’s on the Esplanade.

And follow her on Instagram @maianegre

 

 

 

Double Duty

Actonskishot

Frank Quirarte photographs the world’s heaviest wave and save lives in the process

By Neal Kearney

Frank Quirarte is not your average surf photographer. Instead of standing on the beach with a tripod, clicking away, his craft involves documenting Mavericks, one of the world’s heaviest waves, astride a Jetski—where he snaps photos and, when needed, uses his bravado and horsepower to assist in rescuing surfers in peril. The Pacifica-raised photographer has made a name for himself with this gutsy act. Twenty years ago, he forged a friendship with Mav’s pioneer Jeff Clark, who let him shoot photos from the channel in Clark’s inflatable Zodiac. Over time he became proficient behind the lens under the tutelage of established photographers such as Don Montgomery, Vern Fisher, and Doug Acton, gaining acclaim for capturing stunning images as well as for his lifesaving skills as a member of the Maverick’s Water Patrol.

Water Patrol HMB

“We didn’t have any safety out there back in the day,” says longtime Mavs charger Peter Mel. “Frank was one of the first guys to bring that safety aspect to Mavericks. He had the balls to get in the zone and get people out of harm’s way. The fact that he gets some amazing photos along the way is awesome. We’re lucky to have guys like Frank out there looking out for us.”  Waves caught up with Quirarte to find out how he pulls off this impressive two-pronged gig.

Fearless Frank rushing into the belly of the beast for a much appreciated rescue

What is the most difficult part of shooting photos from aboard a jet ski?

It’s all very calculated—physically, mentally and technically. With experience I’ve learned to be in the right spot at the right time, taking into consideration all the hazards involved. Aspiring photographers show up out there with the most expensive equipment and top-of-the-line PWCs thinking they’re going to get the shot. They realize very quickly that that’s never the case. You need to be able to survive in a very harsh environment. The line-ups are so crowded with boats and skis these days [that] just getting an image without a boat or another ski in it is almost impossible. You have to get really creative and try to avoid getting run over or sprayed.

jayskinz

The late, great Jay Moriarity and Ken Collins sharing a smile between sets.

 

How do you manage to shoot photos and be prepared to go in for a rescue at the same time?

Timing wise it’s pretty simple. Most wipeouts take a few seconds to happen. That leaves you plenty of time to shoot the shot, stow your camera, and then set up for the rescue. I have it dialed. I have a little nest in the forward compartment of my ski. I open up the hatch, basically just drop the camera in, and then go in for the rescue.

Quirarteloya

A gorgeous view of Josh Loya dropping into a bomb, as seen from the channel

What makes for a strong Mavericks shot?

You know it when it happens. Those moments looking through the lens and capturing an amazing drop or a spectacular wipeout or a gigantic wave—you know you’ve just witnessed and documented something special.  

twigQuirarte

Grant “Twiggy” Baker absolutely rushing a Mav’s macker

Some people are content taking photos of flowers and rock formations. How does shooting a force of nature like Mavericks compare?

I have some friends who [have] climbed the Himalayas to get the shot—and that’s a big rock—and others who have repelled down the side of mountain to take a photo of a rare succulent. So I guess it’s all relative, right?

Assorted Burning Man Images by Frank Quirarte Photography ©

Burning Man festivities shot by Quirarte

What do you like to photograph other than Mavericks?

Just being able to get behind the lens now and make a living is always a blessing. In the age of digital photography, the pro photographer has been marginalized or wiped out. So other than weddings, I will shoot basically anything. But I still need to be challenged. Shooting big waves has created some excellent opportunities, like working on movie sets and commercials—which is always really fun. I shot the America’s Cup for ESPN and the City of San Francisco hired me to hang under the Golden Gate Bridge on safety cables to shoot images of some of their earthquake retrofits. Basically, if there’s a possibility of somebody going the emergency room, I will most likely be part of the shoot.

Flea

This photo of Flea Virostko makes me feel both excited and anxious

What makes a good photo, in general?

I like to walk away from a photo feeling something. It’s that simple. In the age of video, capturing a shot that can speak to you like that is definitely an art form.

Which photo in your portfolio are you most proud of and why is it special to you?

I have lots of favorites. If I had to choose I think it would be an image of Peter Mel I shot from the El Niño year, back in 1999. Quiksilver used it on the first Mavericks contest poster. It’s hanging in my living room. I get incredible satisfaction knowing that not only do I love the shot, but also that Pete gets to have his courageous moment captured and frozen in time.

rescue

Fearless Frank fetching a frightened friend in the belly of the beast

(This article was first published in Santa Cruz Waves)

 

Know Your Commentator…Strider Wasilewski

 

 

feature1-1_7-23-15

In an ongoing Split Peak Soup feature, which I’ll now dub, “Know Your Commentator”, I’ve been fortunate enough to pick the brains of the World Surf League commentating squad. I’ve spoken with the dapper and daring Peter Mel, the stoked Brazilian Andre Giorenelli, and the ageless Kaipo Guerrero.

Now, the spray has settled since Owen Wright’s win at Snapper, a spectacular return to competition after a head injury that had him sidelined for fourteen months. Next up is finals day at stop number two, The Drug Aware Pro (I know, it doesn’t make sense), located in Margarets River. So far, the venues have been solid yet tricky, the surfing tame and repetitive, overall. I’m a surf fan goddamnit so I’m gonna be watchin’ anyways!

Of all the commentators, a man named Strider Wasilewski gets the best view in the house. Usually during important heats the camera will pan to the “Wazz” as they call him, either stradling a surfboard or ski raft, mic in hand, calling the shots from the water. Strider spends a bit of time on land as well, and his seemingly uncontrollable, ageless froth is fully evident during exciting moments.

Who is Strider you ask? Well, the California kid cut his teeth rushing giant Pipeline, and was able to travel the world as a Quiksilver athlete, with some of his most memorable moments inside mutated monsters at Teahopoo in Tahiti. I was fortunate to have tolerant parents who let me watch …Lost’s What’s Really Goin On/Wrong movies religiously at a ten year old. Strider had some mental clips at Pipee and a mean holwler monkey impersonation that awed me then and to this day. I tracked the Wazz down before the comp to ask him about his job, and his surfing.

miccheck

Strider, mic in hand, calling the shots in Fiji

 

You grew up in Los Angeles. Can you remember your first experience surfing? What was the LA surf scene like back then?

My first surf was out in front of our apartment in Santa Monica. It was in the late 70’s. My brother and I would wait for people to loose their boards, snake ’em and ride them until they figured out we were riding them!  (Laughs).

The surf scene was super localized, you surfed where you lived, that was that.

13126696_172328936497412_2072812617_n

Baby Wazz

 

You rose to legend status with your efforts at Pipe. How does a kid from LA show up and just rush the joint. Can you tell me about your first, favorite, and worst tube/hardcore beatings out there?

I think you dream big and big things will happen. It’s a little easier to avoid a beatdown because of phones and everything getting out in social media– localism has slowed down a lot. When I first got to the North Shore it wasn’t just in the water, it was everywhere! I couldn’t even go to Food Land without getting verbally abused! Man if the kids visiting Hawaii now only knew what it was like…

Empty_wave_at_Banzai_Pipeline

Pipe, a mutant of a wave that put Strider on the map

Tell me about your relationship with Pipeline

I surf Pipe as much as possible, it’s a place that calls to you. It always has, I think my love of the tube is why I was first drawn to Pipe.

pipe

Strider standing tall at Pipe

 What was your first gig behind the mic? Did you think you’d follow that path, or was it a one off thing? How did you get on the WSL’s radar? 

I worked at a contest in Brazil about 5 years ago. I went because I always wanted to try it out. I surfed for Quiksilver and had asked them to do one of their events for years but the producer would never let me even give it a try! Then when the WSL took over I asked again, and they gave me a chance. We have a great relationship that’s mutually beneficial.

images

The Wazz and longtime friend/coworker, Pete Mel

Did broadcasting come natural to you, or did you have to work on your delivery over the years?

Doing this new job was pretty natural but there is a learning curve. I’m still learning and all the people I work with help me every event. I’m pretty much the rookie of the group, but I’m getting better…

boardtalk

It seems like the entire surf industry comes to play during events. How hectic do the line ups get with all the pros, commentators, locals, visitors, nutritionist/hypnotist/coaches/nail clippers all trying to satiate their own surf appetite?How do you guys avoid such tensions?

The tour surfers are all really cool; they mostly respect each other in and out of the water. Sometimes the lineups get a little crowded and it gets a little edgy. Our crew usually finds other places to surf, or find other times to surf when everyone has finished warming up. Its definitely something we think about and try and give the tour surfers the respect and space they deserve.

Chopes

RUSHING maxed out Chopes

Describe what it’s like being in the water commentating with the current caliber of surfing? I notice you get pretty frothed. Is the energy of the heat contagious? 

I get super frothed while I’m in the water; I love surfing and the level of surfing these guys are doing is crazy high! I get pumped from all the energy around an event: the waves, the heat, the athletes… I’m so close to them I hear and see a lot, some stuff good, some bad(laughs). I’ve had to learn to calm my self down a little and better compose my information. I still get over frothed but I’m getting better at my delivery.

strider family

 

On The Nose with Michel Junod

hangin

Previously featured in Santa Cruz Waves

There is sometimes an unflattering, and often undeserved, stereotype of older surfboard shapers: that they are cantankerous and jaded old grumps limping through their shaping bays like lame prize horses, their brains frazzled from long-term exposure to hazardous resin, foam and fiberglass (that, or from all the acid they dropped in the ’60s and ’70s). Sixty-seven year-old boardmaker and longboarder Michel Junod is none of that. He’s robust, clever, grateful and just plain stoked on life, even in the face of a market that is primarily focused on brand name, mass-produced shortboards and fishes. He has a winning business model—making people happy—that’s worked for him the past 50 years.

“People are stoked when they get a custom surfboard,” Junod says. “I’m known as a guy you can come to for a fun, custom board.”

Born in Santa Monica in 1948, Junod grew up in and around the water. From an early age, his mother gave him swim lessons and would take him to the beach in the summers to enjoy the sand and surf. By the time he was 10, he and his best friends would spend most of the summer body surfing and hanging out at the beach. “If you are born by the beach, you don’t really know anything else,” reflects Junod. He caught his first wave on the south side of the Santa Monica Pier in May 1962, around the time that surfing was really taking off in Southern California.

After a few years spent honing his skills, Junod met Carl “Tinker” West, the owner and shaper of Surfboards by Challenger in Mission Beach, San Diego. Tinker built him a board, which led to his first surf team experience and introduction to shaping. In 1966, Tinker moved to the East Coast to open a surfboard factory in New Jersey. That summer, he invited Junod and a couple of other team riders to come work on and promote his boards.

tinker Tinker and Team Challenger

“That’s the way a lot of guys learned—either they worked at the shop sweeping as a kid, or surfing for the team,” says Junod.

Junod spent the next three summers learning to shape and build boards for Tinker. He moved to Santa Cruz in 1970 after an old friend offered him a job shaping for Overlin Surfboards and promised an uncrowded “Wild West” of a surf town. “And wild it was,” he remembers. “There weren’t any leashes yet so no one was even surfing at high tide because they didn’t want to lose their board into the cliffs. There were just a few of us shapers back then. It really was a whole different world.”

shaping

After only a few chilly winters in Santa Cruz, Junod could hear the tropics calling. Over the next two decades, he lived and surf on the North Shore of Oahu and on Kauai, where he started a family with his wife, Jodi. He made a modest living shaping for some of the islands’ most reputable brands: Surfline Hawaii, Lightning Bolt Surfboards and Dick Brewer.

jun2

Junod: high-lining  in Hawaii

In 1990, he and Jodi packed up and returned to Santa Cruz, where he began shaping for Pearson Arrow Surfboards and was soon drawn back to his longboarding roots. Before long, Junod had become an integral member of the local longboard scene, which has seen a resurgence over the past 20 years.

BROOKS_Michel_river01-800x584

He was a regular at contests, riding for the Big Stick Surfing Association surf club, and began his own label, shaping for most of the area’s best longboarders. All the while, he continued to hone his skills on the nose. Just ask Santa Cruz’s noseriding heir apparent, Mark “CJ” Nelson.

“Michel Junod is hands down my favorite longboard surfer to watch here in Santa Cruz,” says Nelson. “He is a perfect example of a surfer who has made the appropriate sacrifices in his life to keep his surfing and style top notch for the last 40 some odd years. His surfing is smooth and simple with perfect positioning and an emphasis on style. Dignified and honorable—exactly how I strive to be.”

j3

These days, Junod is still shaping custom boards and hanging 10 all over town. He has this advice for the aging surfer who’s contemplating throwing in the towel: “I always tell people who want to or are close to quitting surfing in their 50s and older, ‘Don’t quit, because you’ll never start again,’” he says. “If you are physically able, and want to keep that part of your health regimen and stoke going, you have to keep at it because somebody else is going to take your place in the lineup and you’re going to come out one day, flail [around] and go ‘Aww, I can’t do it anymore!’

“Later, if you change your mind and want to get back into it,” he adds, laughing, “you better move to Mexico or something—because in Santa Cruz, there are infinite guys to contend with.”

Find him online at surfboardsbymicheljunod.com.

 

The HeART of Barney

barne

A Shawn “Barney” Barron Art Show

The late Shawn “Barney” Barron was truly the clown jester of the Santa Cruz surf scene. His antics, in and out of the water were over the top, to say the least. Everyone who knew or were exposed to him has at least one bizarre, yet hilarious anecdote to illustrate this.

For example, about fifteen years ago I was surfing Pleasure Point during a fun south swell. I saw a black truck pull up to the Cliffside, and out emerged Barron, already clad in his fluorescent Hotline wetsuit. With the car still running and his dog in the camper shell he proceeded to scale his way down the sheer cliff, apparently disinterested in the preferred Billy goat trail that existed before the sea wall.

He paddled out, singing loudly, caught one wave to the beach and scaled the same sketchy cliff route he’d taken to get down. He jumped in the idling truck and took off. Everyone in the lineup just shook their head and burst out in laughter.

This is Barron in a nutshell. Impulsive, outrageous, and unbelievably amusing. He devoted his life to entertaining others with his brand of hard charging and explosive aerial surfing. As a poster boy for Volcom, he was able to travel the world, scoring magazine covers and prominent roles in heaps of surf films. While many have seen his comic book inspired wetsuits and brightly painted surfboards, other than the people close to him, the vast majority of his fans are unaware just how much of a creative genius he was.

air

This Friday, at 6PM at the R.Blitzer Gallery, a mind boggling collection of his art will be on display in an art show/tribute called, “The HeART of Barney”. Along with live music by Ribsy’s Nickel, and Ono grinds from Pono Hawaiian Grill, this show is a true grassroots community event to honor the treasure trove of Barron’s amazingly expressive and eclectic artwork. There will also be prints of Shawn’s paintings available for sale, along with other goodies.

flower

As a child, Barron was fueled by boundless energy that made it hard for him to sit still during school. Despite a lack of engagement in traditional schooling, he had an extremely active mind and imagination.

“Early on he was inspired by the world of space and science fiction by our father (Shawn’s stepfather, John Coulter),” remembers his step-sister Amelia Coulter. “He would take my brother up to Berkley to little known theaters to watch strange Sci-Fi films. Shawn ate it up. They both had a love for toys and all things unusual”.

Barron was always a standout surfer but it wasn’t until high school when his art teacher, neighbor, and family friend Katie Harper saw the potential for creative genius when he took her classes.

“We had a lot of fun,” remembers Harper, “We played around and I knew I wasn’t going to be able to get super traditional stuff out of him so I just tried to guide him in his areas of strength– which was spontaneous, energetic, and colorful. His art was textural, very tactile; not too abstract like other abstract artists, but very playful. He was a playful kid. Because of that, I realized that he wasn’t going to let this go, like, “Oh I’m going to take this art class and be done with it”. I realized that he was really an artist. Truly an art spirit. A young art spirit and it was just a matter of time before he locked on and used it for his life, the way he navigated his life.”

barn

Art became a sanctuary for Barron, who had struggles with bi-polar disorder. Like surfing, it was a way to express the explosive energy that was constantly simmering in his imagination, as well as the reflective and painful lows. As Shawn became more prolific, this became more and more apparent to Harper.

art

“He used it (art) as a therapy, as a playful medium, an exploration, as an adventure”.

Barron’s art was very impulsive and diverse. One day he would be working on an oil painting of UFO’s, and the next he would be using physical objects as a medium, like the infamous “Trophy Man”.

trophy-man

“In going through his work you can see really distinct phases,” recalls Coulter. “In the late 90s/ early 00’s he had a really intense creative period where a lot of his work seemed more pop in color and style. He then got really into body molds, landscapes, abstracts, lots of dots and circles, and of course, girls. He painted canvases so many times I don’t know how the paint ever really dried. Prior to his death he went through another really pretty creative phase, with a much softer tone, yet still bright with tons of color  and subtle shapes… He was mourning the death of our mother and to me, you can see some this in his work. They were extremely close.”

dots

Now the public has a chance to appreciate the massive collection of art that he created. It’s a chance to honor a very conflicted, yet beautiful soul. I can attest to this gentle spirit. As a grom growing up on the EastSide, I was scared to death of the older Westside guys; yet Barron was always very approachable and kind to me. It was this “Allsides” mind frame that made him a favorite for local surfers across town; hell, across the globe. I like to think that Barron’s creative and sensitive soul has found a comfortable place in the universal soup of energy that we refer to as the universe.

Harper sums up Barron’s stay on this earth quite simply.

“Shawn was just one of those people who wasn’t going to be stuck in a box and to conform, and more power to him! He was a wonderful spirit. He was a gentle man”

I hope to see you all this Friday at this once in a lifetime event, which is orchestrated with love by Coulter, Sandbar Brenna, FleaHab, Nate Weinstein, and Patrick Trefz.

https://www.facebook.com/events/1815923328621270/

Instagram @shawnbarneybarronart