REMEMBER WHEN WETSUITS SUCKED?

Wetsuits have come a long way since the stiff, bulky and painful early days.

Terry Campion wearing a primitive O’Neill suit circa 1978 or “rash machine” as he calls it

“It’s in the little details where progress is made.” —Ryan Buell, owner and designer of Buell wetsuits

“I recognized a need and set out to solve it.” —John Hunter, who leads O’Neill’s wetsuit development department

Neal Dude and Marky Dude circa 1992

My first wetsuit in the ’90s was a purple Body Glove torture chamber. The material was abrasive and stiff as parchment. After surfing, I would come home to assess the rampant wetsuit rashes it gave me as a surf crazed 10-year-old. Weeping craters everywhere — my neck, armpits, crotch. In those days, Vaseline was a go-to for pre-surf application to try preventing the wounds. 

With every session the sores got worse, turning my youthful passion into a borderline masochistic obsession. Being so excited to have a suit that helped me last longer in the chilly Santa Cruz waters, some weeping wounds were well worth the trouble.

Like most surfers, I have had a love/hate relationship with my wetsuits ever since, but it is more love than hate today thanks to the improvements made by wetsuit designers over the years.

The Origin of Super-Stretch

Before the wetsuit, local surfers relied on paltry measures such as wool sweaters and beach bonfires to increase the length of their sessions in cold waters. This desire to endure at least a couple hours of surfing more comfortably prompted local legend Jack O’Neill to devise the prototype for the first functional wetsuit in the 1950s.

While extremely helpful, these early wetsuits were bulky and hard to put on, as the sheets of foam rubber or neoprene did not have any backing material. As a result, surfers had to move slowly and carefully while pulling it on, as the foam rubber was delicate and sticky against bare skin. Excessive stretching and pulling led these suits to being torn open often. This was somewhat remedied by thoroughly powdering the suit with talc to help the rubber slide on more easily.

Things improved with the inclusion of lycra or spandex lining sewn to the inside, which allowed the suits to stretch without tearing so easily. As time went on, advancements in seam stitching and panel placements became more refined, yet the lack of flexibility in the neoprene limited the ability to do a lot of different entries. 

Sorry Groms! You showed up about fifteen years too late!

This led to a lot of experimental, and less than sea-worthy, suits. Just ask recently inducted member of the Surfers’ Hall of Fame, Pete Mel. 

Mel literally grew up in a surf shop, with his parents owning and operating Freeline Design on 41st Avenue. Not only did his dad shape surfboards, but he had direct access to the increasingly available yet functionally flawed early wetsuits.

Big Pete and Little John, around the time wetsuits stopped sucking

“My first wetsuit was called ‘Surfer House,’” remembers Mel.

“It had the zipper in the front — you laid on your zipper and the thing would leak like a sieve. Every time you punched through a wave you got soaked. But they were easy to get on!”

Ryan Buell, owner and designer of Buell wetsuits, worked on this issue during his early days in the business as a designer for Hotline Wetsuits. Around 1998, new, stretchier rubber became available, allowing for new zipper constructions that kept the water out without sacrificing a comfortable fit.

“It’s in the little details where progress is made,” Buell says.

“I came up with a secured zipperless entry with a zipper across the chest.” This “Fly Zip” entry took the zipper from the back, which restricted movement, and placed it across the chest, allowing surfers to paddle comfortably and freely.

“Compared to before, the difference was night and day.” 

John Hunter is never cold while surfing

John Hunter, who has been leading O’Neill’s wetsuit development department for more than 25 years, has made multiple major contributions to the world of wetsuits, most notably his “ZEN Zip” entry. The problem this concept addressed was water leaking in around the zipper through the neck area. The solution was the addition of an extra layer of neoprene or “barrier” that trapped leaked water and expelled it through a drainage system below the zipper.

“I had the concept, and I remember doing some very rudimentary entry designs,” Hunter recalls. “I finally got one that was mocked up good, so I paddled out to the Hook with my wife and told her to keep an eye on the back of my suits, as I wanted to see if this concept worked. I purposely got a little flush of water down the neck. She said, ‘I think there’s a problem; there’s water coming out of a hole!’”

He could feel the hair stand up on his arms inside the suit. His drainage system was working.

“I knew I’d had something — like Jack, I recognized a need and set out to solve it.”

The Man, The Myth, The Legend- Ryan Buell

One of the next frontiers in wetsuit development has moved from the challenge of fit and function into the realm of sustainability, with designers like Buell looking at ways to solve the toxic production process and the limited supply of petroleum-based materials.

“Right now it’s an exciting place to be,” Buell says.

“There’s so much potential looking now at advancements on the eco front, from the lighting in the factory to the reduction, recycling and reuse component of the materials we use. Now that the stretch and fit factors have been dialed in, we can focus on ways to stay warm while reducing our carbon footprint.”

The advancement of the wetsuit will always be a moving target, as surfers and designers identify and solve new problems. Like most things, with the passage of time, hindsight highlights the sillier aspects of this quest, but we’ve come a long way since the days when Vaseline, wool sweaters and bonfires were state-of-the-art solutions to surfing comfortably in frigid water.

Endangered Species-The”Regional Pro Surfer”

ratboyroberts

A Case Study–Santa Cruz, California

By Neal Kearney
*NOTE. THE MEAT OF THIS ARTICLE WAS WRITTEN, YET UNPUBLISHED, IN JUNE 2017 FOR A CERTAIN AMERICAN SURF WHO MAG WHO SHALL GO UNNAMED. THE SURF INDUSTRY SUCKS SOMETIMES! OH WELL…HERE IT IS, I HOPE YOU ENJOY!

It’s hard to make it as pro surfer these days. Even for the world’s best surfers , the cushy, umbrella-sponsorship deals of the past are hard to come by. Last year, you may have noticed that the back half of the World Surf League’s World Tour had rippers like Josh Kerr shredding without a main sponsor. If guys like Kerrzy are in trouble, that means “regional pros” are going extinct.

If top level guys are scraping for support, how does a local legend or talented, up-and- coming surfer (commonly referred to as “Regional Pros”), expect even a piddly crumb from the withering pie that is the surf industry? The pro surfer explosion in Santa Cruz, California, which blossomed in the ’90’s, and fizzled out by the end of the first decade of the twenty fist century. This shift illustrates how difficult it is for up-and-comers to remain relevant and marketable in a hemorrhaging surf industry where a good looking, yet mediocre Instagram surf star is guaranteed more exposure than a tech-inept, shy, introverted, yet phenomenally superb surfer.

TR90s

The catalyst for the explosion of media attention directed to Santa Cruz can be attributed to many factors, but in the beginning, much of the credit goes to ace photographer and filmmaker Tony Roberts, who pushed the surf media to recognize just how much insane surfing was going on in the late 80’s and early 90’s. Robert’s unique, in-your-face action shots began peppering all of the major US surf mags, including Surfing and Surfer magazine, and helped put the national spotlight Santa Cruz’s stacked talent pool.

TR

It got to the point that Santa Cruz was so saturated with talent that practically every hot surfer had sponsors and contracts; along with free gear, respect and prestige. Many of these surfers went on to become “international pro surfers”: Adam Replogle, Chris Gallagher, Jason “Ratboy” Collins, Shawn “Barney” Barron, Pete Mel, Anthony Ruffo, etc. This crew could travel the world and get paid to huck huge airs and rush giant tubes, fine-tuning their acts with unbridled, point-break power surfing at home.

TR2

TR was the man in Santa Cruz during the late ’80’s/early ’90’s, pumping out classic images and even full-length movies, but when he left for Central America in mid 90’s, there was a need for someone to take the control of SC freight train. Ripping skateboarder and surfer Dave Nelson learned a lot from Roberts and could keep the ball rolling, especially Roberts knack for up close fish eye action and skate influenced angles.

neltron

“TR was by far my biggest inspiration. I studied what he did daily and we used to shoot and skate and surf every day. He was always experimenting with different lenses and angles. He taught me a lot!” remembers Nelson.

rockynelltron

Enter Transworld Surf, established in 1999, and sadly decapitated in 2013 due to the strangulation of print media. Nelson scored countless covers and spreads with his unique angles and inventive use of multiple flashes, film gel, and speed blur effects. He also introduced a new crew of “regional pros” to the masses. These centrally located hot-shots usually stuck relatively close to home during their careers, following Nelson, aka “Nelly”, into a number of local,”studio-esque” surf breaks. Guys like Homer Henard, Matt Rockhold, Bud Freitas, and Austin Smith-Ford were among the local pro’s who worked extensively with Nelson.

cote

Chris Cote, TWS’s editor basically ran the ship, and gave “regional pros” from SC a lot of love, mainly due to Nelson’s wealth of insane photography.

“Regional pros are surfers who absolutely rip their local breaks, AKA, ‘Hometown Heroes’. Locally respected and widely known by ‘traveling pros’ as the guy or girl to either get in contact with when they are rolling through their town, or, watch to out for when competing in their town. Regional pros a lot of times just choose to stay in their hometown a lot of times, not that they don’t have the talent to travel and compete, but for one reason or another, they are content with just being “the guy” in their respective area,” explains Cote.

From 2000-2010, or thereabouts, regional pros in Santa Cruz could make a chunk of chain just cruising with Nelly, scouring the coast for big pits and ramps. They were memorable days for the humble photographer, and he soaked up every minute of it.

rockie!

“Every day was a mission. An adventure. Some days we went North, but usually we went South. The spots were sharky as Hell. The locals were always watching. I was always ready to go, from dawn to dusk, which some surfers loved, and some hated (laughs)”.

This enabled regional pro’s such as Bud Freitas and Austin Smith-Ford to concentrate on their surfing at home; to the point that no one could touch them- their talent was next level. Cote was more than willing to give love to these under the radar pro’s.

“Young kids like Matt “Ratt” [Schrodetz] and Noi [Kaulukukui} were fucking on fire, absolutely ripping. It was easy to fill magazines with Santa Cruz surfers cause they all surfed so good and Nelly was right there to capture it going down.”

Unfortunately, the era of the regional pro, especially in Santa Cruz, was quietly burned to ashes due to the ’08 financial crisis and struggles of the surf industry. Companies had to take a hard look at what surfers would be best to promote their brand, and now, there are only a handful of regional pros who get financial help, let alone free gear.

homer

Matthew Myers of Santa Cruz, now residing in Costa Mesa, works for Rip Curl. His job includes tending to the needs of high profile team riders while building a solid youth presence. A former regional pro himself, Myers has valuable insight into the woes of the surf economy. A common theme he’s noticed is more money is going to the top, world tour, elite athletes, some of which are gunning for world titles. Companies see the biggest, more recognized athletes as a greater asset as they possess the ability to reach a larger audience, which results in a greater return on investment.

nyerz

“There’s not a ton of regional pro’s in America getting paid anymore,” Myers admits.

“For example, we have a surfer in Santa Cruz who is getting a pay check; definitely not enough to get paid comfortably but he gets to travel the world and have some incredible experiences on Rip Curl’s dime. He’s stayed extremely active, charismatic, has a lot of fun with other people, and is an amazing surfer to boot. To be relevant you must be really outgoing and marketable, and be attractive to the brand to want to use you in either their marketing including social media and websites.”

The regional pro is now an endangered species across the globe, especially in Santa Cruz. For better or for worse, these extremely talented surfers and photographers have been forced to adapt. They’ve returned from their day jobs; running business, cutting hair, working construction, and everything in between. The ripple effect from companies clamping down on their funds has altered the landscape of professional surfing dramatically. Will this stop surf fans from visiting their favorite surf websites or WSL broadcasts? Not a chance. Life is constantly changing, and although regional pros may be a thing of the past, the talent will continue to shine when the waves come up.

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