Flashback Friday- How Three Hawaiian Princes Brought Surfing to Santa Cruz

princes

 

Gaze out to sea along our beloved coastline on any given day and you’ll see scores of rubber-clad fun seekers sitting in dense packs, waiting patiently for signs of an approaching wave. Once the waves pour in, these wave riders employ a number of different crafts to catch and ride them.

Some ride short, pointy boards that allow them to carve and even launch above the breaking waves. Others use longer, round-nosed boards for a more relaxed ride, during which the surfer can coast and trim casually, at times dancing to the nose, hanging the toes and gliding along as poised and erect as a statue.

You may even see surfers riding prone on much smaller, rectangular boards, or stand-up surfers using wide paddles to propel their large crafts into the breakers.

These aquatic enthusiasts are a tough and dedicated breed of passionate athletes who willingly enter the frigid waters, even in the most treacherous of conditions, just to get their saltwater fix.

Plain and simple, Santa Cruzans are crazy for surfing. And why shouldn’t they be? After all, our town boasts a number of world-class breaks, beautiful beaches and a rich surfing history. Innovators such as wetsuit pioneer Jack O’Neill, world-renowned shapers like Bob Pearson of Pearson Arrow and modern day surf icons such as Pete Mel and Jason “Ratboy” Collins serve as examples of our community’s influence on the world of surf. In fact, Santa Cruz has had more of an impact on surfing history than most of us probably realize.

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Santa Cruz, the TRUE “Surf City”, USA

Despite the area’s long-held reputation as one of the most popular surf mecca’s in the world, though, there’s a bit of history that has slipped through the cracks, until now.

The gumshoe efforts of two passionate local surf historians have revealed the story of the three Hawaiian princes. These princes were the first to surf in mainland America, and the first place they paddled in was Santa Cruz.

The culmination of 35 years of work, Santa Cruz’s Geoffrey Dunn and Kim Stoner have put together a clear, concise and historically supported account of the Hawaiian princes’ stay in Santa Cruz. It is hard evidence supporting a story printed in the local newspaper, the Santa Cruz Daily Surf, on Monday, July 20, 1885.

In the Daily Surf’s page two Beach Breeze column, the writer mentions — along with reports of a packed beach, ideal summer conditions and 30-40 swimmers “dashing and tossing and plunging through the breakers” — the three princes and their surfing exploits in front of a crowd of merry beachgoers at the San Lorenzo River mouth.

“Everyone knew about the Daily Surf mention in 1885,” Dunn said. “But no one knew the actual story.”

geoff-dunn

Geoffrey Dunn here at home in Santa Cruz

Dunn spent his childhood playing in the waters of the river mouth and has always felt a strong connection to the place. Like most of his peers who grew up on the Westside, Dunn spent a great deal of his time swimming and surfing. The river mouth was his favorite, and he and cousins would surf it on mats during the summer.

“The river mouth used to be an entirely different spot before the harbor was around,” Dunn said. “When big western swells came in during the summer, the wave could get really good and powerful. I’ve always been fascinated with the river mouth as a surf break and could imagine how good it used to get. Being familiar with the story of the princes’ surfing exploits there, I can understand why it caught their attention, as back then it would’ve resembled some of their home breaks on Oahu, such as Waikiki.”

Dunn’s personal connection to the river mouth and love for our city’s rich surfing history inspired his subsequent quest to unearth the details of the surfing princes once and for all. Dunn teamed with Stoner, his childhood friend and a devout advocate for the preservation of Santa Cruz’s surfing history who had similarly developed a fascination with the story of the princes, and began years of research.

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The original boards on display in Santa Cruz

Rare documents and photographs were gathered from the Hawaiian Legacy Archive in Honolulu and the Bancroft Library at UC Berkeley. They also found previous mentions of the princes by former Sentinel historian Ernest Otto. In time, a clear picture of the princes’ visit to Santa Cruz, as well as the impact their “surfboard swimming” had on its residents, began to emerge.

As it turns out, the young princes had indeed spent time in Santa Cruz while attending St. Matthews Hall in San Mateo, a military school for boys. During their time off school, the princes, named David Kawananakoa, Edward Keliiahonui and Jonah Kuhio Kalaniana’ole, had stayed with Antoinette Swan, a native of Oahu and an adopted member of the royal family.

Swan moved to Santa Cruz in the 1860s with her husband, Lyman. Her home served as a perfect summertime respite for the young men, who most likely were anxious to surf like they did back home on Oahu. It’s easy to see how inviting the waves peeling into the San Lorenzo river mouth on that hot and festive day in 1885 were for the young Hawaiians.

The report of the surfing exposition highlighted the amusement and joy that beachgoers experienced. Ten years later, another article mentions how local boys had taken to surfing the river mouth like the Hawaiian princes. This nugget of overlooked history shows how surfing caught on in Santa Cruz. The surfing spectacle must have had a profound effect on the generation of citizens who witnessed it, adding weight to our town’s claim to the title of the real “Surf City, USA.”

board

What “localism”?

Kristen Zambucka, an artist and writer from Honolulu who is friends with the descendants of the royal family, came up with the idea to create a plaque to display somewhere in Santa Cruz. After collaborating with Zambucka on the design of the plaque, Dunn got financial support from the royal descendants of the Kawananakoa and Marignoli families. Bronze artist Sean Monaghan and Tom Ralston of Tom Ralston Concrete helped design and build the base, and additional funding came from the Santa Cruz Woodies Club and Friends of Parks and Recreation.

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The plaque. Surfing means so much to this town. Here we honor those who came first

For Dunn, the plaque is a perfect way to celebrate the legacy of those who first brought surfing to America.

“It’s gorgeous,” he said. “The city could’ve done something else, but they went out of their way to do something special and I couldn’t be any more pleased. Tom and Sean did a beautiful job on this and created what I think is the most spectacular framework for a monument in California. It’s a beautiful monument, and I’m proud to have played a part in this effort to uncover and pay tribute to a rich part of our community’s history.”

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The Surfing Historian…Matt Warshaw

A man, a library, and a cat.  Smells like History to me!

          A scholarly man, a library, and a cat. Smells like History to me.

Historians have a pretty damn hard job. They have to sift through documents, journals, periodicals, legends, and myths; working like detectives to present a fair and balanced account of the past. Now picture this…a SURFING historian? Surfing history is chalk full of zany characters, unbelievable antics, and monumental sessions.. Before webcasts, Go Pro’s, and RED cameras, there wasn’t much to rely on for information but first-hand accounts, grainy footage, hearsay, whispers and mutterings. How in God’s name could someone compile all these stories and watershed moments in surfing history, especially considering all the swollen egos, bitter rivalries, and hazy memories of surfers who’ve bounced off the reef a few too many times or voluntarily fried their brains?

It’s a tough gig, but luckily for us we have a special individual devoted to decoding our surfing heritage, Mr. Matt Warshaw.   Warshaw has tasked himself with compiling surfing history into an online database, The Encyclopedia of Surfing.

From the Air-Drop, to Captain Good Vibes, Warshaw has toiled endlessly to allow the public a peek into everything surfing. As a fellow historian and surf scribe, I find this dedication and bounty of knowledge nothing short of amazing. Well, today is Matt’s birthday, so I thought of no better time to let him tell his story, and explain what compelled him to take on such a monumental task…

Early days with fellow surf rat, Jay Adams.  Photo Booth fun 1971

Early days with fellow surf rat, Jay Adams. Photo Booth fun 1971

Can you tell me briefly how you were introduced to surfing? Did you ever compete, or was it strictly a passion?

My uncle pushed my brother and me across our swimming pool on his huge Hansen surfboard. This was in Tarzana, California, probably 1965. Uncle Dan was coolest person I knew, I already loved the water, so the hook was set. We just had to get out of the Valley, which we did a couple years later when my family moved to Venice. I got my first board in 1969.

Oh yeah, he shreds

Oh yeah, he shreds

I know that editing a magazine can be a tiresome and thankless job at times. It must have also been a thrill to have access to so many colorful characters…How would you describe your tenure at the helm of Surfer Magazine?

There was this long and amazing series of lucky breaks that helped get me to the editor’s chair. Just one thing after the other. On the other hand, I’m driven and ambitious and scheming, and made a lot of things happen as well. I was at SURFER for six years, and only in the last year or so, maybe the last 18 months, did I do anything that I’m proud of. Before that it was me learning the ropes in public, and most of what I did—my own writing anyway—I’m really deeply embarrassed about.

Another thing I remember was, when I got to SURFER, in 1985, everyone on staff was still using typewriters. I was the first person in the building to get a word processor, I think it was 1986. The year after that we all got word processors, and the art director got some primitive designing software, and some of the issues from the late ‘80s have this horrible sort of Nintendo-y design look.

On the plus side, I got to work with Derek Hynd, Jeff Divine, Matt George, Warren Bolster, Steve Pezman, Paul Holmes, and lots of other really talented people. I was only actually editor for maybe six months, but that position set up everything that followed in my work life. I’m really proud and honored to be a SURFER guy.

After Surfer, what was next on your agenda? Did you continue to freelance, or did you look at other avenues outside the realm of surfing to make ends meet?

After SURFER I went to UC Berkeley to finish college, and I funded that by selling my house in San Clemente and by sponging off my family. I did a bit of freelancing too. Actually I got some good assignments. I did a short piece for Esquire, and a couple things for Interview. Again, all those doors opened because of my skillful playing of the SURFER card.

Warshaw and vestiges of the past

Warshaw and vestiges of the past

I’m sure that as Editor at Surfer you established ties with countless extraordinarily interesting cats…did these personalities and their stories compel you to start the Encyclopedia of Surfing–a sort of time capsule to bring all the legends and monumental events to the public in a familiar (Encyclopedia) and digestible format?

After college I mostly did articles for Surfer’s Journal and SURFER, then did a couple of books. One morning I made some random comment to my dad about knowing more about surfing than anybody in the world, and he said “So write an encyclopedia,” and a half-million words later it was done. The making of EOS is too boring to get into, but I’ll just say that I spent all of 2000 doing data entry prior to actually starting on the book. The whole year, loading up a Filemaker Pro database. You can’t spin that into anything gonzo. It’s drudgery, plain and simple.

What surfer doesn't relish the tube.  Matt, tucked in all cozy like

What surfer doesn’t relish the tube. Matt, tucked in all cozy like

Expanding on the last question, was there any “Eureka!” moment when you realized the importance of saving these stories and compiling them for public consumption?

No, never. None of this ever seemed important in any kind of good-for-the-world sense. It gives me something to do. It makes use of this ridiculous among of very particular information I’ve got stored in my head and my various hard drives. I love the work. To a fault, almost. I wake up and can’t wait to start working. But never have I kidded myself into thinking that it’s important. It’s nice that I’ve been able to organize and archive and present the sport in some way. It is useful. Some of it is entertaining. But your surfing experience, my surfing experience—nobody’s surfing experience is affected by it.

The book that started it all

The book that started it all

How do you go about gathering information for your EOS entries? There are so many legends, showdowns/rivalries, design breakthrough, and epic stories to document–it must be a bit overwhelming!!

EOS will never be complete, and will never be finished. It’s a permanent work in progress. I knew that from the minute I started the book version, and 15 years later this remains the greatest comfort. I’m actually not overwhelmed. I do have a responsibility to surf history, but at some level what I do, what any historian or archivist does, is arbitrary. Especially with the website, where I need photos and video. There are entries in the book that aren’t on the website because I don’t have photos. There are huge holes on EOS. All I can do is post pages when they’re ready. And meanwhile fix all the typos, and update John John Florence’s page every month, and clown around endlessly on social media to try and get people to my site.

Surfers can have some pretty inflated egos…how do you deal with rejection and or avoidance while contacting sources for information? Has anyone called you out for something you’ve written about them? Also, have you ever had anyone call you out for not including them and their exploits/contributions in the EOS?

EOS is a 501c3 non-profit organization, and the entire “company” is me, working in my guest room for less money than I made as a surf shop clerk in 1983. When people call me out for whatever—it doesn’t happen that often, maybe once or twice a month—I throw my hands up and play the little man card. I can only do so much. I’ll get there when I can. Thanks for the patience. Which isn’t bullshit. But it’s also a way to deflect.

Howdy!

Howdy!

This must be a tough one to answer, but what has been the most enjoyable entry for you to include in the EOS thus far?

No single entry stands out. But what’s surprised me is much I enjoy flogging the site on Facebook and Twitter, and doing the EOS blog posts. I was late to social media, and was dragged there in chains, but once I signed on I really loved it. When I’m doing something for publication, a book or an article, I write the shit out of it, draft after draft after draft. Writing for the web has loosened me up. My writing is better for it. I’m learning from guys who are better at it than I am. I love my job because, even though I’ve been doing it for 30-something years, in one form or the other, I really seriously feel like I’m just now getting the hang of it.

Follow Matt on instagram- encyclopedia_of_surfing and be sure to check out www.encyclopdiaofsurfing.com